For the Love of Art Woody Allen Movies - 538 Words

â€Å"I’m an artist and I won’t change a word of my play.† In this film, we see two different views of what being an artist is. On one hand we have David, a struggling play write trying to get his new piece founded at the expense of his art; on the other hand we see Cheech, an enforcer for the mob who finds his true calling in David’s play. Cheech’s uncompromising attitude toward what turns out to be his art is in direct contrast with David’s views on what is to be an artist. It is clear that David wants fame at any cost and is willing to compromise his art to get it. In the beginning David won’t compromise his play â€Å"I won’t see my art mangled again. To powerful scripts, and I had to watch as actors change my dialogue and directors misinterpret everything.† However, this statement is short lived after David meets Olive for the first time. David says he will not cast her as the psychiatrist in his play, because accord ing to him it is an important role. â€Å"Absolutely not, no!† You’ll work with her, mold her it’ll be a challenge,† Out of the question.† After hiring Olive David then wakes up in the middle of the night and says he’s a â€Å"whore.† It is then that he realizes he will do anything for success and fame â€Å"Do I want success that badly?† The answer’s yes.† Through this compromise David’s solidifies his reasoning for being an artist. David doesn’t know how to be an artist. â€Å"Can you love a man who’s not an artist?† This line is a foreshadowing of the revelation DavidShow MoreRelatedReview Of Woody Allen s Wild Strawberries 1661 Words   |  7 Pagesbeen openly described by Woody Allen as a major influence in his craft of making films. Throughout the years of his career, spanning over decades, Allen has been heavily drawn to Bergman’s style as an art form, enough to impact his own style of telling stories in the cinematic medium. Bergman’s strong method of telling a story was truly riveting and groundbreaking in the entertainment industry, especially for the development of Swedish cinema. As for American cinema, Allen has left a huge footprintRead MoreThe Delicate Relationship Between Artist And Artwork2054 Words   |  9 Pagesnegative actions of an artist or the responses elicited from their works are assessed by the eyes of the public— usually in hopes of lo cating a correlation between the two. This begs the most direct question of whether or not it’s possible to separate art from the artist. Within this dispute, more complex and dark arguments exist. Picasso and Pulanski, two revolutionary figures in their own mediums, are not better-known for their alleged crimes. 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The screenplay was written by Dick Clement and Ian La Frenais. The film is being produced by Mike Jefferies and Matt Barrelle of Milkshake Films and executive produced by Peter Hargitay. With Co-Producer Danny Stepper and Associate Producer Allen Hopkins. The film also stars Alessandro Nivola, Stephen Dillane, Anna Friel, Marcel Iures, Sean Pertwee, Lee Ross, Stephen Graham, Kevin Knapman, Cassandra Bell, Kieran O’Brien, Tony Plana and Miriam Colon. 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